Kenneth Branagh’s 2017 adaptation of Murder on the Orient Express is a lavish, star-studded return to one of the most famous whodunits ever written. With its snowy landscapes, opulent train cars, and an ensemble cast that reads like a Hollywood roll call, the film promised a modern revival of Agatha Christie’s classic mystery. But is it worth watching? Read my review to find out.

Setting the Stage

The story is familiar to mystery lovers: world-renowned detective Hercule Poirot, played by Branagh himself, boards the luxurious Orient Express, only for a murder to occur mid-journey. With the train stranded by an avalanche, Poirot must interrogate a colorful cast of passengers—each harboring secrets—to uncover the truth. The cast is dazzling, with Judi Dench, Willem Dafoe, Penélope Cruz, Michelle Pfeiffer, Daisy Ridley, Johnny Depp, Josh Gad, and Leslie Odom Jr. all bringing their own flair to the suspects’ gallery.

Performances and Direction

Branagh’s interpretation of Poirot is larger-than-life, complete with an extravagant mustache that nearly steals the show. Some found his performance too theatrical, while others appreciated the eccentricity. Michelle Pfeiffer shines as the glamorous Mrs. Hubbard, balancing charm and vulnerability. At the same time, Johnny Depp plays the shady art dealer Ratchett with a menacing edge, though his screen time is brief. As director, Branagh emphasizes sweeping visuals—snow-capped mountains, golden interiors, and dramatic camera angles. The film is undeniably beautiful, but at times the spectacle overshadows the mystery.

Strengths of the Film

The movie’s greatest strength lies in its visual splendor. Cinematographer Haris Zambarloukos crafts painterly frames that make the Orient Express itself a character. The screenplay by Michael Green updates the pacing and dialogue while keeping Christie’s central twist intact, and the claustrophobic train setting heightens tension, especially during Poirot’s interrogations.

Where It Falters

Despite its elegance, the film struggles with pacing, sometimes lingering too long on style at the expense of momentum. With so many big names, some characters feel underdeveloped, reduced to archetypes rather than fully fleshed-out suspects. And for many viewers, Sidney Lumet’s 1974 version still holds the edge in suspense and balance.

Final Verdict

Murder on the Orient Express (2017) is a feast for the eyes and a respectable introduction to Christie’s world for new audiences. However, for mystery purists, it may feel more like a glossy showcase of stars than a tightly wound thriller. It’s worth watching for the visuals and performances, but don’t expect it to surpass the classic adaptations.

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