Those who know me well are aware of my love for audiobooks. Like a lot of people, I lead a busy life and being able to listen to a book, as opposed to having to sit down and read it, means I can read a whole lot more. And it means that I can make mundane activities – brushing my teeth, walking to work, getting dressed – more enjoyable and productive. Therefore, the majority of the books I’m going to read this year will be audiobooks.
- Lisa Scottoline
- Andrew Gross
- Melissa Manchester
- Michael Des Barres
- Douglas Preston
- Jon Land
- M.J. Rose
- Steven James
- Taylor Stevens
- Donald Bain
- Thomas B. Sawyer
- Dick Hill
And 2014 is shaping up to be an even bigger year with interviews already scheduled with 2014 Rock & Roll Hall of Fame Inductee John Oates and bestselling author Stuart Woods.
Thanks to all of you who regularly read my posts, as well as those who take the time to comment. Speaking of which, below are my top commenters’ great blogs. Make sure to check them out:
2013 was my best year yet, both personally and professionally, and I plan on making 2014 even more special.
Happy New Year!
Audiobooks are a magical form of entertainment because of the narrators that read them. These men and women are legitimate actors that breath life into the stories they read with a variety of intricate character voices, accents and dialects. The right audiobook narrator can make a mediocre book good and a great book excellent.
One of my favorite audiobook narrators is Dick Hill. Most famous for being the voice of Lee Child’s Jack Reacher series, Hill has nearly 500 audiobooks on Audible – including classics, sci-fi and fantasy, mysteries and thrillers, you name it. Hill is one of the most prolific audiobook narrators in the business and his ability to turn words into theater for the ears is impressive.
I recently had the honor of interviewing Dick Hill, and I hope the questions and answers below provide you with a greater understanding of this interesting profession. Enjoy!
How did you get involved in narrating books?
A friend of mine, Brit actor, was narrating for Brilliance Audio. They were looking to cast a WWII combat novel, and he suggested I get in touch. I did, recorded a couple pages of something similar I got off the supermarket shelf on a crappy little recorder and sent it to them. (They weren’t looking for audio quality, they’d provide that, they wanted to hear me read). Booked the gig, and knew I’d found my niche. Never looked back.
On average, how many hours does it take to record a book?
Depends on the length of the book, type of text etc. Generally I finish an hour of recorded book in around 75 minutes.
Do you read chapters straight through, or do you stop and start and edit the pieces together later to establish a seamless sound?
Susie is upstairs engineering and directing, and whenever I stumble or miss a word, we stop, roll back to a likely spot, then do a punch edit. She plays back for me to hear a lead in, then does an on the spot edit and I come right in and do it right. Generally.
How many audiobooks do you narrate each year?
I’d guess around 40 a year now, give or take a dozen.
From a business standpoint, do you have long-term contracts with publishers where you have to narrate a certain number of books a year, or are you hired on a book-by-book basis?
I’m paid per finished hour.
How are audiobook narrators compensated? Is there an upfront payment, a monthly retainer, royalties based on sales, or a combination of all three?
There are some works being done through ACX on royalty share, but I work strictly for fee. If Lee wanted to do a royalty share, or Stephen King, I’d be happy to, but those are not the kind of authors hoping to get someone to narrate their book on spec.
How do you make sure your recordings don’t include any background noise from inside the studio, like turning pages?
I’m quiet. I’ve developed a technique for moving from one page to the next that’s mostly soundless. If I do screw up, we just do an edit.
What is the most challenging aspect of your job and what is the most rewarding?
I find all the aspects I deal with challenging, but in a very good way. I relish the challenge of presenting the listener with the best, most compelling delivery I can achieve. It’s of the moment work, which I love doing. I don’t pre-read things, with a few exceptions. Susie preps the books, makes a vocabulary list to check, and gives me a character sheet noting gender, age, any accents mentioned or implied, etc. I use those to guide my performance. Since she’s prepped the book, she can alert me to any potential traps (e.g., don’t make the mystery caller too this or that) so the voice seems reasonable to fit the character it turns out to be. She generally doesn’t tell me just who those people are, or really, anything beyond performance guidance. I like to discover what happens right along with the listener. I love flying by the seat of my pants, doing cold reads. I’m good at them, and I think the sense of discovery helps with my work. Most rewarding?…pretty much all of it. Plus the checks. Getting paid to have fun, in large part.
Without naming it, have you ever had to narrate an awful book? If so, did you have to work harder or approach it differently than a book of higher quality?
Yes. Harder work. A couple were so bad I felt like a five dollar whore faking passion. I turned down any more work from those authors. Pretty lucky now, the publishers I work with most often have a very clear idea of the sort of things I like to do, and I’m seldom offered work I’d find offensive.
I’ve noticed that some of your books feature interesting audio effects to immerse the listener in the story. For example, Jack Reacher might be talking to someone on the phone and the voice on the other end is altered to sound as if it’s coming through a phone line. How is this done?
Those were probably earlier books. I prefer eschewing that sort of thing myself. If you’re gonna’ have a phone effect, then how about ambient noise, traffic, door slams, gunshots? I don’t include any effects or ask for any. I’m not aware of any publishers adding them any longer, though I’m not sure. I don’t listen to audiobooks myself, my own or anyone else’s. It’s immensely pleasurable to record books, but once I’ve done that why would I want to listen to them? Been there, done that.
What kind of personal preparation goes into getting to record an audiobook and how do you preserve your voice?
Occasionally if Susie gives me a heads up about a particular accent, I may go online to find samples of 15-year-old Malaysian girls with lisps raised in Irish Catholic orphanages till age ten then indentured as servants to a family of Germans with a Spanish head of the household. Other than that, I pretty much have a handle on how I approach accents, etc. Might not be Meryl Streepalicious, but then she has to perfect an accent for several hundred lines in a few projects per year. I do many more characters, many more books, so while I do try to do a good job with accents and dialects, my primary concern is to create characters and narrators that feel well motivated and interesting and further the author’s intent.
Recently, three of Lee Child’s Jack Reacher books, Die Trying, Tripwire and Running Blind, were rerecorded by another audiobook narrator, Jonathan McClain, and released on Audible. There was a backlash from fans for you not being the narrator. Do you know why your versions of these books were replaced and will you continue to be the voice of future Jack Reacher audiobooks, including Never Go Back, which comes out in the fall?
Yes, I’ve heard from a number of concerned folks. I think what that is, audio rights for the UK are issued separately, and Mr. McClain has been doing those. I will be doing the latest Reacher, and unless something happens I expect to continue doing so. Folks just have to look carefully to ensure they’re getting the reader they prefer, I guess.
Aside from narrating books, what other kinds of acting have you done?
I’ve worked regionally in live theatre, onstage. No film, some commercial video, ads and the like.
You and your wife have extensive experience in the audiobook industry. How did you two meet, and have you had the opportunity to collaborate on a project?
We met when she played Guinevere and I played Arthur in a production of Camelot. In addition to our work onstage, once we entered the audio world I directed her several times, she’s engineered and directed me on lord knows how many projects, and we’ve recorded a number of dual reads, one of which won us both Audies, the audiobook equivalent of an Oscar or a Tony. Or a Westchester Kennel Club best in show I suppose.
What projects are you currently working on that fans should look out for in the months to come?
Expecting that Reacher script soon, think there’s a fall release. Doing the last of the Stephen White series about Dr. Alan Gregory, which is heartbreaking for us. Love his writing and character insight, and one supporting character, Det. Sam Purdy, is one of the characters nearest and dearest to my heart. Susie’s prepping it this week, and is raving about how good it is and wailing about the fact that it is the last.
Yesterday, I went to New York City to meet Lee Child, author of the famous Jack Reacher novels. I took off from work and enjoyed a beautiful day in NYC before stopping by the Barnes & Noble where Child would be speaking and signing copies of A Wanted Man, his newest Reacher novel; the 17th in the series.
Upon my arrival, I bought a copy of Child’s new novel and went upstairs with the dinner I bought at Artie’s Delicatessen – you can’t go wrong with chicken fingers and french fries. Going into the event, I was a little nervous because, up to that point, I had only read three of the 17 books. And I didn’t want anything in the series spoiled by Child or the fans.
While I waited for Child to arrive, I listened to the last few chapters of Running Blind, the fourth novel in the series, and chatted with nearby fans. Before I knew it, it was 7 p.m. and Child was being introduced.
Decked out in khaki’s, an open-collar button down shirt, a blue blazer, and a beautiful pair of shoes, Child walked to the stage and was greeted with a warm round of applause from the room full of fans. The photos may not do him justice, but Child is 6-foot-5 and very slim. Not only that, but he’s a handsome man with an English accent, so, naturally, women adore him. During the Q&A portion, one woman asked, “Are you married?” To her dismay, he responded, “Yes.”
Child started off by telling us how he became an author. For nearly twenty years he worked for Granada Television in the UK, as a Presentation Director, where he wrote thousands of commercials, news stories and trailers. Then he said, “My boss told me something that prevented me from doing my job. He said, ‘you’re fired.'” This sudden unemployment, which came as a result of corporate restructuring, made Child write his first novel Killing Floor out of necessity. “I had to eat,” he told us. “And in the first 10 books, I made my former bosses the villains.”
According to Child, “60 percent of adults in the UK have never read an entire book.” They may have read magazines or parts of a book, but adults across the pond aren’t nearly as well read as Americans. Therefore, he made sure Jack Reacher and his first novel was targeted towards a U.S. audience. Clearly, it worked.
When it comes to writing he told us he never outlines a book. He has an idea and then starts writing. If he knew how the book was going to be laid out, from start to finish, he’d “get bored and not want to write it.” To him, writing should be like reading. “I’m just as excited to see what’s going to happen next as you are,” Child told the audience. “I give Reacher a problem and then make it worse,” he continued. His unique style involves introducing a variety of wild, but believable, situations in the first half of his books, and then in the second half, “I have to try and make sense of it. My plots might seem like a great deal of planning went into them, but that’s just an optical illusion. If you have an ink blot on a piece of paper, it looks like an amorphous mess. But if you hold a mirror up to it, it starts to look symmetrical.”
Child also talked about the controversial film, Jack Reacher, which is scheduled to come out in December. It’s been hotly debated by fans because Tom Cruise is playing Reacher. Since the character is 6-foot-5 and 250 pounds, this put off many Reacher Creatures. Child told the audience, “There aren’t any actors that are 6-foot-5 and 250 pounds. I was flown out to Hollywood to see this movie, and it’s spectacular. Trust me, Tom Cruise does a fantastic job. You’ll leave the theater feeling as if you’ve just witnessed Reacher moving and talking in real life.”
I adore the audiobook versions of the Jack Reacher novels, so I asked Child if he had heard them and if he chose Dick Hill to be the narrator because, to me, Hill is the voice of Reacher. Surprisingly, he told me that he doesn’t care for audiobooks because Child feels they keep to once pace, and he likes to vary how quickly or slowly he reads. However, he did say, “Dick Hill has brought a lot of fans to the series, and when I switched audiobook publishers I did it under one condition: they keep Dick Hill as the narrator.”
Another interesting thing he spoke about was the two recent, digital short stories he’s written in between Reacher novels. He said the publisher likes him to release these as a way to figure out which version of the upcoming novel people will be buying (i.e., digital or print). And it encourages people to pre-order his novels sooner than usual. However, Child is still undecided about whether or not he wants to continue writing them because fans get confused by their brevity and end up giving them bad reviews.
Overall, I had a wonderful time at the book signing. Child is a terrific author and a charming man. Since he lives in NYC, Child always has a book signing in the area. That said, I’ll be sure to stop by in 2013 when the next Reacher novel is invariably released. Whether or not I’ll have finished the remaining 13 books in the series by then is another story.