The evening’s festivities started with an introduction by TODAY Show anchor Matt Lauer. He was his usual charming self and showed a clip of a recent interview he did with Brown at his home in New Hampshire. Speaking of which, Brown’s opulent abode features multiple secret passages and a “fortress of gratitude,” which contains the myriad versions of his books that have been published around the world.
The Lincoln Center steps were used to promote Dan Brown’s new novel. They said: “9 circles. 7 sins. 1 secret. Inferno. The new novel by Dan Brown.”
After the clip ended Lauer introduced Brown, who was met with a warm round of applause. Brown’s hour-long presentation covered a variety of topics, including his childhood, feedback from fans and critics on his work, and a humorous story about what it was like to have Tom Hanks fasten Brown’s kilt prior to a social gathering for the film version of The Da Vinci Code.
His new novel, Inferno, takes place in Florence and it focuses on the first part of Dante Alighieri’s 14th-century poem, Divine Comedy. “With the exception of the Bible, no book in history has influenced more art, music or literature than the Divine Comedy,” said Brown.
The most interesting part of the evening came at the end, when Brown said the following:
“There is nothing in our DNA that predetermines our beliefs. We’re not born into this world believing that a particular god is the true god; we’re born into a culture. We worship the gods of our parents. If all of us in this room had been born in the mountains of Tibet, most of us would be Buddhists. And we would hold onto that Buddhist philosophy with the same passion that we have for our current beliefs. We worship the gods of our parents. It’s truly that simple.
The world is getting smaller every day. And now, more than ever, there is enormous danger in believing we are infallible, that our version of the truth is absolute, and that everyone who does not think like we do is wrong and are therefore enemies. For our own survival, it is critical that we live with open minds, that we educate ourselves, that we ask difficult questions, and above all, that we engage in dialogue, especially with those whose ideas are not our own.
So in the name of the dialogue we share and ideas, I just wanted to acknowledge that tonight, what has brought us together in this space is quite simply, books. Those magical artifacts that share ideas across borders, across cultures, across languages, and most importantly, across time. So for all of you in the audience that write books, publish books, sell books, and above all, read books, thank you.”
Look out for my review of Inferno within the next several weeks. From what I’ve heard thus far, it’s an epic yarn.
The Novel
Now that 10 years have passed, I decided to revisit Dan Brown’s most popular book, which went on to sell more than 80 million copies. During these past 10 years, I’ve read hundreds of books, so I was afraid I would think even less of The Da Vinci Code. To my surprise, I enjoyed the book even more than I did the first time. To be fair, I listened to the audiobook version instead of reading the free e-book I downloaded. I opted for the audiobook for two reasons: I love audiobooks and it’s a much faster way to consume books – especially when you work two jobs and go to school, like I do. As an added bonus, the audiobook featured an interview with the screenwriter, Akiva Goldsman, who was tasked with adapting the novel to film, as well as a 2005 Dan Brown speech at the University of New Hampshire. Both special features were interesting and insightful.
All in all, it was an excellent book that magnificently blended fact and fiction. If you’re not one of the millions who has already read it, I highly recommend you check it out right away. It’ll keep you turning pages late into the night wondering what’s going to happen next.
The Film
I also decided to revisit the film, which came out in 2006, and I’m glad I did. I watched the extended version and it was beautifully done. While it wasn’t a line-for-line or scene-for-scene reenactment of the book, Ron Howard did a wonderful job of bringing the novel to life through film. The cast was excellent across the board, especially Sir Ian McKellan as Leigh Teabing. The score by Hanz Zimmer was well done and suited the movie perfectly. Overall, it was a thrilling experience that kept my attention from start to finish.
If you’ve read the book, you’ll notice that certain changes were made in the film, but, in my opinion, some of them helped move the plot along at a faster pace while staying true to the story in the novel. But don’t take my word for it, check out the film, for free, below.
Last Friday I stared at my computer screen, realized it was lunch time and headed for the door. With my earbuds popped in and my iPhone at the ready, I picked up where I left off in the audiobook version of The Da Vinci Code as I took the elevator to the ground floor of the building. I’m revisiting the book in anticipation of Dan Brown’s new novel, Inferno, and it’s just as good now as it was 10 years ago.
The steel doors opened, I passed the security guard and burst through the front doors onto Broad Street. Passing by a motley crew of University of the Arts students, I approached the corner of Broad and Walnut Streets and gazed up at City Hall – the world’s tallest masonry building. To this day, it still impresses me every time I see it.
Weaving in and out of human traffic, I made my way to Rittenhouse Square in record time. Upon my arrival I turned left and searched for a bench where I could unwind and focus on the story being piped into my ears. As I traversed the curved path I noticed to the right a crazy-looking woman with frizzy hair. I walked forward several benches and found an empty one, seemingly waiting for my behind to rest on it.
I sat down and within two minutes the aforementioned crazy woman left her bench to join me. I ignored her but she started to speak, so I took out my headphones and said, “What?” As I turned toward her I noticed that her skin was weathered and laden with deep-set wrinkles. Her unwieldy mane of hair blew in the air as she said to me with a two-toothed grin, “Can you light this for me? They don’t let me light them.” Bemused and wondering who “they” were, I looked down and saw in her outstretched hands a cigarette and a lighter. Hoping this would convince her to leave me alone, I said, “Sure.”
Assuming everything was done and over with, I put my headphones back in and continued to play my audiobook. Then I realized Frizzy Frannie was still talking to me. I took out my earbuds again and she said, “You’ve got the power! Come on baby, light my fire. Come on baby, light my fire. Try to set the night on fire.” While I’m a fan of classic rock, having a gravely-voiced senior citizen who looks like she could give Lindsay Lohan a run for her money isn’t my idea of a good time. Thinking quickly, I acted like I received a phone call I had to take and said, “Excuse me.” To make it convincing, I stood several feet from the bench and said to no one on the other line, “Where are you? I’m in Rittenhouse Square. Yeah, I know where that is. I’ll be there in five minutes.” Then I swiftly walked away, leaving Frizzy Frannie by her lonesome.
Rittenhouse Square is a beautiful park that’s regularly inhabited by street musicians, people having picnics and doormen walking dogs. It’s a great place to unwind and soak in a beautiful day in the city. But like any urban oasis, you never know who you’re going to find on the other side of the bench…so have an exit strategy in mind.