It has been nearly 15 years since the world received a brand-new studio album of original material from music icon Barry Manilow. The wait is finally over with the release of What A Time. After diving deep into an advance copy of the record (including the three bonus tracks), it’s clear that Barry has delivered a masterpiece that seamlessly honors his legendary pop instincts while fearlessly exploring mature, fresh sonic territories.
Anchored by brilliant production work from long-time collaborators like Michael Lloyd, Kenneth “Babyface” Edmonds, Demonte Posey, and Dave Cobb, What A Time is a powerful reminder of why Manilow remains one of the greatest showmen, musicians, and composers of our time.
Here is a track-by-track breakdown of this spectacular new release, featuring insights into the creators of this brilliant music and Barry’s own thoughts on the material.
1. “Once Before I Go”
The album opens with the stunning lead single, which has already made a massive splash by climbing straight into the Top 10 on the Adult Contemporary chart. Written by Peter Allen and Dean Pitchford, Barry was originally prompted to record the piece by the legendary Clive Davis. Barry feels that, at his current stage in life, the song now resonates, which led him to have Kenny “Babyface” Edmonds produce the track alongside Demonte Posey. Featuring a lush string arrangement by William Ross, this soaring melody handles its immense emotional weight with absolute grace, serving as the perfect statement to kick off a new era.
2. “What A Time”
The title track, a brilliant collaboration between Barry (music) and John Bettis (lyrics), is an absolute standout, brought to life by co-producer Michael Lloyd. Barry openly admits that he is a “sucker” for songs about looking back, and he praises the “brilliant and emotional lyric” provided by Bettis, noting that the song genuinely makes him cry. Driven by Barry’s own piano work, it’s an instant classic that feels monumental yet incredibly intimate.
3. “Sun Shine”
Waking up to this single was a perfect surprise, and it remains a genuine breath of fresh air. Co-written with Gary Barlow, Barry describes this as a “real uplifting song” that he playfully believes even depressed people will enjoy. Produced by David Benson, Greg Bartheld, and Barry, the track’s infectious, feel-good rhythm is beautifully accented by Ken Berry’s acoustic guitar and ukulele work, instantly lifting the listener’s spirits.
4. “Another Life – 2026”
An extraordinary reimagining of the Preston Sturges and Andrew Hill composition. Barry calls this a wonderful song and proudly notes that it stands as his “very first bona fide rock ballad.” Based on the original recording, the remastered 1992 vocal is absolutely pristine, capturing a timeless performance. Musically, Michael Lloyd’s powerful drums are the absolute highlight of the song, injecting a driving rock energy that gives this classic piece a brilliant new life.
5. “Touched By An Angel”
A soaring, spiritually powerful gospel song written alongside Bruce Sussman. Barry recalls that this track was originally written for Whitney Houston and nearly made it onto her album. He notes how much fun he had singing the lead here, backed by a powerhouse gospel choir led by Voncielle Faggette. Featuring an intricate arrangement with keyboards by Ron Pedley and Joe Melotti, the production builds into a magnificent wall of sound, a beautiful reminder that “no one is all alone.”
6. “The Chosen One”
This is, without question, the greatest song on the album—an absolute, towering masterpiece. Written on a hot day in Malibu while watching the sea, Barry admits he doesn’t usually write both the music and the lyrics, but he is incredibly pleased with how this one turned out. The vocal delivery is devastatingly raw, matched perfectly by words that cut deep. The orchestration is a true feast for the ears; it starts out remarkably quiet and intimate before swelling into a massive, sweeping mix of electric guitars (Michael Nielsen), bass (Reggie Hamilton), pounding drums (Curt Bisquerra), and soaring violins. It is a theatrical tour de force that I would absolutely love to see performed live.
7. “One More Chance”
Another beautiful Barry Manilow and Bruce Sussman creation, co-produced with Michael Lloyd. Barry explains the inherent difficulty of writing pop songs that focus heavily on situations and characters rather than just love. He points out a specific favorite lyric from the track about the poignant reality of talking to friends versus talking to your best friend. The track functions as a classic Manilow narrative ballad, with the singer at the piano, building a fragile introduction into a full, lush pop arrangement.
8. “Nobody Knows My Song”
Featuring lyrics by Enoch Anderson, this track explores the deep human desire to be known as an original. To match that theme of independence, Barry made the creative decision to produce this track as a dance record. Barry’s grand piano coordinates perfectly with energetic multi-instrumental work and programming by Michael Lloyd and Greg O’Connor, making it a proud and incredibly catchy declaration.
9. “When Somebody Says Goodbye” (Duet with Sharon “Muffy” Hendrix)
A magnificent, piano-driven duet with a lyric by the late Lisa Sennett. Barry notes that this track is the closest he has ever come to a country song. Because of the style, he invited his longtime colleague Sharon “Muffy” Hendrix to sing on it, noting their deep musical history that stretches back to 1974. Muffy sounds absolutely wonderful here; her vocals blend beautifully with Barry’s in a poignant piece of storytelling about dividing up a life after love comes apart.
10. “Don’t Trouble The Water”
Another stellar Enoch Anderson lyric set to Barry’s music, produced alongside David Benson and Greg Bartheld. Barry highlights that this wonderfully positive, cheery mid-tempo number features a sunny calypso beat. He gives a special nod to the track’s bass line, expertly performed by Randy Crenshaw. It provides a fantastic change of pace, offering a breezy, uplifting rhythm and a smooth, “lagoon to hide in” atmosphere.
11. “Look At Me Now” (Featuring Dave Koz)
A thoroughly pleasant ballad lyricized by John Bettis, whose words Barry highly praises. It was uniquely produced by Dave Cobb at the Historic RCA Studio A in Nashville. Barry shares a wonderful behind-the-scenes note: Cobb loved the song so much that he texted Barry to say the studio musicians absolutely adored playing it. Supported by Chris Powell’s steady drums and Brian Allen’s bass, Dave Koz delivers a stellar saxophone contribution that elevates the track as it builds in intensity before ending softly and sweetly.
12. “Nobody Told Me”
Barry describes this track as an incredibly beautiful song, highlighting the beautiful lyrics written by John Bettis. The arrangement is stunningly pretty, allowing Barry to deliver a soft, poignant, and deeply moving vocal performance over Michael Lloyd’s polished programming. It’s a lovely, intimate moment dealing with the sudden sting of finding out an old lover has moved on to someone new.
13. “Coming of Age”
Undoubtedly the most unusual and daring track on the standard album, featuring lyrics by Adrienne Anderson. Barry considers this one of Adrienne’s most interesting lyrics, though he notes it took a very long time to properly arrange, requiring vital assistance from co-producer Michael Nielsen. Featuring excellent guitar textures by Andrew Synowiec and a driving rhythm section consisting of bass player Sean Hurley and drummer Aaron Sterling, it feels like it stepped right out of Barry’s brilliant concept album 15 Minutes. It’s a mature, bold song that serves as a brave artistic choice that pays off massively.
The Bonus Tracks
Depending on which physical edition you grab, Barry treats fans to some truly terrific bonus material that rivals the core tracklist.
14. “Party to the Top” (Vinyl Exclusive)
A deeply funky, high-energy track composed by Barry with lyrics by Adrienne Anderson. Driven by a cool vocal delivery, tight harmonies, and excellent piano work, it heavily channels the spirit and fun-loving feel of “Work the Room.” It’s a vibrant anthem made for cranking up the volume.
15. “Cry for Coney Island” (Amazon CD Exclusive)
Another beautiful Manilow/Adrienne Anderson collaboration, this track feels like a direct homage to a soft, dreamy 1970s ballad. It features a beautifully mellow, chill, and relaxing arrangement by Barry. It is a wonderfully nostalgic and soothing number—the perfect song to put on to end your day.
16. “Reunited” (Duet with Melanie Taylor / CD Exclusive)
A wonderful cover of the Dino Fekaris and Freddie Perren classic, featuring a legendary arrangement collaboration between David Foster and Barry. Much like Muffy on her duet, Melanie Taylor turns in a terrific, stellar vocal performance. Her singing carries a striking similarity to the legendary Diana Ross—smooth, soulful, and commanding. The arrangement strikes a perfect balance, feeling beautifully retro yet completely fresh.
Final Verdict
What A Time is everything a lifelong fan could hope for, and the perfect entry point for anyone discovering Barry’s genius for the first time. It balances joyous, feel-good anthems like “Sun Shine” with deep, reflective masterpieces like “Coming of Age” and the unmatched brilliance of “The Chosen One.”
Which tracks are your favorite on What A Time? Let me know in the comments below.
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