Barbra Streisand — Michael CavaciniMichael Cavacini

Thanks to my friend, Mary, I was recently able to get my hands on a copy of Barry Manilow’s out-of-print album, Here Comes The Night. Originally released in 1982, this was Manilow’s 12th record and the studio album that preceded it was If I Should Love Again, which was filled with beautiful ballads including “Somewhere Down The Road” and my favorite, “The Old Songs.”

After having listened to Here Comes The Night several times, I have to say I think it’s a shame that it’s not available to the public. It’s a wonderful collection of music. And while the album went platinum, it didn’t spawn as many hits as it should have. I blame this on Arista because the music quality was top notch. Below are my six favorite songs out of the album’s 11 tracks.

“Here Comes The Night”

This song is spectacular. It’s a traditional Barry Manilow power ballad that soars. Between the gorgeous arrangement and heartfelt vocal, I get lost every time I listen to it. This track should have been a monster hit, but it wasn’t. I’d love to hear Barry perform it live the next time I see him; it’s one of his most underrated numbers.

“Memory”

“Memory” is the most popular song from Cats, the 1981 musical by Andrew Lloyd Webber. It’s a beautiful song that many artists have covered, including Barbra Streisand, whose version of the song charted lower than Manilow’s. Anytime Barry Manilow sings a Broadway show tune, I listen with rapt attention. His voice is perfect for these kinds of songs and he knows how to make them sound magnificent. This is one of his best.

“Some Kind Of Friend”

I would classify this as a rock-infused pop song. It has a harder edge to it than the other music on the album, but it’s still as infectious as Manilow’s other hits. The funky synthesizer, descriptive lyrics and catchy chorus make this a song that gets stuck in my head frequently.

“I’m Gonna Sit Right Down And Write Myself A Letter”

Here’s a song that’s been covered by everyone from Nat “King” Cole to Paul McCartney. It’s simple, funny and catchy as hell. And when I hear Barry Manilow’s version, it makes me think of Elvis. It has that rockabilly sound “The King” was known for; and when listening to Manilow’s recording, it’s clear he had a lot of fun with this number.

“Getting Over Losing You”

What a terrific melody. The chord progression in this song is simply wonderful. It tells a great story, the vocal is spectacular and just like “Here Comes The Night,” it should have been a massive hit. I love it.

“Stay”

One of the things that makes Barry Manilow a great live act is he performs the songs he enjoys – not just the hits. About a year or two ago, he started adding “Stay” to his set and longtime fans loved it. This sexy mid-tempo number is another song that didn’t get the attention it deserved. The haunting chorus is one that I find myself singing long after the song has ended.

From time to time, I encounter a book that fully engrosses me. Two such books were Stephen King’s It and Ken Follett’s The Pillars of the Earth. Not only were these novels well written, but they also featured characters I cared about. I distinctly remember reading The Pillars of the Earth and being blown away when a key character died. I was so flabbergasted that I stopped reading and called my friend, who had also read the book, to let him know I’d made it to that part. Pat Conroy’s The Prince of Tides profoundly moved me just as much as the aforementioned novels.

I work with a woman at the supermarket named Judy. For the past couple of years she’s been telling me I should read The Prince of Tides. Last year I downloaded the audiobook, and I didn’t get around to listening to it until now. Going into the book, I had high expectations. Based on the reviews I read, people felt this novel was a masterpiece and that its narrator, Frank Muller, brought it to life in a way that was mesmerizing.

Now that I’m done the book, I’m glad to report that The Prince of Tides was one of the best I’ve ever experienced, and Muller’s narration kept my rapt attention from start to finish. The majority of the novel was based on Pat Conroy’s life in the south, and this reality came through in the incredibly descriptive language. Conroy is a beautifully metaphorical writer whose prose manifests scintillating scenarios and gripping drama.

The Movie

After reading the The Prince of Tides, I watched the film adaptation directed by and starring Barbra Streisand. Her and Nick Nolte were terrific, and the film did a fine job of condensing Conroy’s tome into an incredibly enjoyable film. I was also delighted to see my all-time favorite comedian, George Carlin, in the Oscar-nominated picture. Most of all, I loved the music. The score, composed by James Newton Howard, was one of the most gorgeous pieces of music I’ve ever heard; it was simply breathtaking. Like any movie, the book was better, but the film didn’t have any radical departures from the source material; it just made it work in a different medium.

If you enjoy a good story, I recommend you read the novel first and then watch the movie. Both are beautiful works of art everyone should experience.

To prepare you for both, below you’ll find:

The official synopsis for the book
Frank Muller narrating a book
The main title song from the movie
A trailer for the film

Book Synopsis

Here’s the official description of the book from Pat Conroy’s website:

In this best-selling novel, Pat Conroy tells the story of Tom Wingo, his twin sister, Savannah, and the dark and violent past of the family into which they were born.

Set in New York City and the low-country of South Carolina, THE PRINCE OF TIDES opens when Tom, a high school football coach whose marriage and career are crumbling, flies from South Carolina to New York after learning of his twin sister’s suicide attempt. Savannah is one of the most gifted poets of her generation, and both the cadenced beauty of her art and the jumbled cries of her illness are clues to the too-long-hidden story of her wounded family. In the paneled offices and luxurious restaurants of New York City, Tom and Susan Lowenstein, Savannah’s psychiatrist, unravel a history of violence, abandonment, commitment, and love. And Tom realizes that trying to save his sister is perhaps his last chance to save himself.

With passion and a rare gift of language, Pat Conroy moves from present to past, tracing the amazing history of the Wingos from World War II through the final days of the war in Vietnam and into the 1980s, drawing a rich range of characters: the lovable, crazy Mr. Fruit, who for decades has wordlessly directed traffic at the same intersection in the southern town of Colleton; Reese Newbury, the ruthless, patrician land speculator who threatens the Wingos’ only secure worldly possession, Melrose Island; Herbert Woodruff, Susan Lowenstein’s husband, a world-famous violinist; Tolitha Wingo, Savannah’s mentor and eccentric grandmother, the first real feminist in the Wingo family.

Pat Conroy reveals the lives of his characters with surpassing depth and power, capturing the vanishing beauty of the South Carolina low-country and a lost way of life.

Frank Muller

Main Title Song

Movie Trailer