Tag Archives: Movie

A 90s Kid’s Review of the New Pixar Film

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There is a distinct, surreal kind of vertigo that comes with being a parent and sharing the defining pop culture touchstones of your own youth with your child. I vividly remember growing up in the mid-1990s, completely spellbound by a groundbreaking little movie called Toy Story and spending hours playing the tie-in video game on the Super Nintendo with my cousins. Fast forward to this past week, and my wife and I found ourselves walking into a theater—holding the hand of our own three-year-old son to see Toy Story 5. It is an incredibly cool, full-circle moment, even if it does make me feel incredibly old.

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I Went into ‘Obsession’ (2026) Expecting Nothing. I Walked Out Having Seen the Best Movie of the Year.

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Let me preface this by saying I am completely burnt out on modern horror trailers. They either give away the entire plot in two minutes or compile every single jump scare into a neat little montage, leaving absolutely nothing for the actual theater experience.

So, when the buzz around Obsession started getting dangerously loud, I made a conscious choice to tune it out. I didn’t read the synopses. I didn’t look at the deep-dive theories. All I knew was that both hardcore horror fans and notoriously stiff critics were losing their minds over it. I watched just enough of the trailer—maybe thirty seconds—to confirm the vibes were immaculate, bought my ticket, and walked into the theater with absolutely zero expectations.

What I wound up watching completely shattered me.

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A New Shade of Heroism: My Review of ‘Supergirl’ (2026)

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When James Gunn’s Superman hit theaters last summer, it felt like a breath of fresh air. It was optimistic, colorful, and pointed toward a bright future for the new DC Universe (as I wrote in my review of the 2025 Superman movie). Naturally, I went into the new Supergirl movie wondering if we were going to get a carbon copy of that specific tone.

Instead, this film carves out a completely distinct identity—and it really works.

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Why The Death of Robin Hood Is the Most Unique Adaptation Yet

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If you read my recent post defending the 2018 Robin Hood reboot, you already know that I am a massive fan of the legendary outlaw. I’m not a folklore purist; I don’t need every adaptation to strictly copy traditional tales. From movies and books to the tremendous new TV show currently airing on MGM+, I can always find something to enjoy in every interpretation of the character. I love seeing how different creators spin the mythos.

But nothing could have fully prepared me for the emotional gut-punch of The Death of Robin Hood starring Hugh Jackman.

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Warner Bros. Debuts First Look at New ‘Batman: Knightfall’ Trilogy

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If you were reading DC comics in the early ’90s, you remember exactly where you were when it happened. Superman had just died, and before the comic book world could even process that, DC did the unthinkable to their other flagship hero: they let a roided-out mastermind named Bane snap Bruce Wayne’s spine like a dry twig.

It was the “Knightfall” saga, and for decades, fans have been begging for a faithful, sweeping adaptation. Sure, Christopher Nolan took pieces of it for The Dark Knight Rises, but the full, unhinged, multi-act story has never truly transitioned to the screen.

Until now.

DC Studios and Warner Bros. Animation just dropped a massive announcement: “Knightfall” is officially being adapted into a brand-new animated movie trilogy.

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Remember Stallone’s Get Carter Remake? Here’s Why It’s Worth a Second Look

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Let’s travel back to the turn of the millennium. It’s the year 2000. Nu-metal is on the radio, everyone is terrified of the Y2K bug, and Sylvester Stallone is sporting a meticulously sculpted goatee, pointy sideburns, and a wardrobe full of $5,000 sharkskin suits.

Enter Get Carter.

If you ask a hardcore cinephile about this movie, they will likely shudder. The film is a remake of the 1971 British crime masterpiece starring Michael Caine—widely considered one of the greatest, grittiest revenge thrillers ever made. When Hollywood decided to drop Stallone into the lead role, shift the setting from a bleak, industrial Northeast England to a rain-soaked, techno-booming Seattle, and flash-fry the whole thing in MTV-style editing, the critics had an absolute field day. It bombed at the box office, scored a dismal 11% on Rotten Tomatoes, and effectively sent Sly’s career into a brief straight-to-video tailspin.

But here’s my hot take: Get Carter (2000) doesn’t deserve all the pure vitriol it gets. If you isolate it from the shadow of the original, it is a fascinating, deeply weird artifact of its era that actually has some genuinely good stuff under the hood.

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Why The Expendables Are the Ultimate “Turn Your Brain Off” Blast

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Let’s be honest for a second. Sometimes, you don’t want a deeply complex psychological thriller that makes you question the meaning of existence. Sometimes, you don’t want a slow-burning indie drama that leaves you staring at a blank screen in existential dread.

Sometimes, you just want to see a building explode while a 1980s action icon delivers a corny one-liner.

That is exactly why I will always defend The Expendables franchise. As a massive fan of these films, a huge part of my love comes down to two absolute legends: Sylvester Stallone and Jet Li. Stallone is the mastermind behind this entire glorious madness, assembling the ultimate action-movie Avengers. And Jet Li? The man is a human lightning bolt, bringing incredible martial arts precision to the heavy-artillery chaos.

The secret to enjoying this series is simple: don’t take them too seriously. If you walk into these movies expecting grounded realism, you’re doing it wrong. They are an unapologetic throwback to the golden age of action—loud, over-the-top, and an absolute blast.

With four movies now in the books, let’s break down the franchise, movie by movie, to see how this wild ride evolves.

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The 2018 Robin Hood Movie is Actually an Absolute Blast

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Let’s be honest for a second. When the 2018 reboot of Robin Hood hit theaters, the critics absolutely eviscerated it. It was called unnecessary, a mess, and everything in between. Because of that, I avoided it for years. But the other night, I finally decided to put it on with zero expectations—mostly because I’m not a Robin Hood purist who needs every adaptation to strictly copy traditional folklore.

And you know what? I was completely blown away by how much fun it is.

Contrary to all that early negative press, I found this movie to be a total blast from start to finish. If you’re willing to let go of what you think a medieval movie is supposed to look like, there is so much to love here.

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Masters of the Universe Review: A Good Movie Weighed Down by Forced Humor

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As a kid who grew up glued to the TV watching reruns of the original He-Man and the Masters of the Universe animated series in the late 1980s and early 1990s, the announcement of a new live-action film hit me right in the childhood. I was one of those kids who didn’t just watch the show; I lived it. I distinctly remember sprinting at top speed around the house, hoisting my plastic Power Sword high in the air, and yelling “I have the power!” at the top of my lungs. In fact, my commitment to the role was so total that I once suffered a spectacular wipeout right by the front door because I was too busy staring up at my plastic weapon to notice what my own feet were doing.

When the 1987 live-action film came along, I absolutely loved it. Say what you want about it, but it had a tremendous cast—Frank Langella’s Skeletor remains iconic—and a dark, synth-heavy vibe that completely captured my imagination. Because of that lifelong fandom, my expectations and hopes for Director Travis Knight’s 2026 Masters of the Universe were incredibly high.

Ultimately, the new movie mostly lived up to what I wanted, even if it trips over its own feet along the way.

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The Best DC Comics Movie You Totally Forgot Exists

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It is still wild to me that A History of Violence is technically a DC movie.

If you had timed things perfectly back in the fall of 2005, you could have walked out of Christopher Nolan’s Batman Begins and walked right into David Cronenberg’s A History of Violence. Both were distributed by Warner Bros. and adapted from DC properties. But while Batman was busy restarting the superhero blockbuster machine, Cronenberg was using a graphic novel to deconstruct what violence actually does to the human soul.

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