Let’s be honest: after the globetrotting, locust-filled spectacle of Dominion, many of us were ready to let the Jurassic franchise settle into a nice, quiet fossil bed. But Gareth Edwards stepped in, whispered “back to basics,” and gave us Jurassic World Rebirth.
The result? A film that feels less like a bloated corporate product and more like a high-stakes survival thriller. It’s not perfect, but it’s the most “Jurassic” this series has felt since the 90s.
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Few film franchises have a gap between installments quite like Tron. When Disney released the original in 1982, personal computers were a rarity, and the internet was a niche government experiment. By the time Tron: Legacy arrived in 2010, we were all carrying supercomputers in our pockets, hopelessly addicted to the digital realm.
These two films, separated by nearly three decades, offer a fascinating case study in filmmaking technology, storytelling trends, and visual aesthetics. They are two very different interpretations of the same universe.
Having recently re-watched both back-to-back, I plugged back into the Grid to see how they stack up. Is the original just nostalgic kitsch? Is the sequel just glossy style over substance? Here is a comparison review of Tron and Tron: Legacy.
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