On August 21, I walked into my local AMC theater not entirely sure what to expect, but I walked out completely mesmerized. I finally saw Teenage Sex and Death at Camp Miasma, and let me tell you right out of the gate: I absolutely adored it.

First, we need to talk about this cast, because my heart could barely take it. I have had the biggest crush on Hannah Einbinder ever since seeing—and completely loving—her in Hacks. To make matters even more wonderfully overwhelming for me, I also had a massive crush on Gillian Anderson as a kid. Seeing the two of them share the screen in a film like this was nothing short of incredible. It felt like my ultimate dream cast was somehow willed into existence just for me.

Einbinder shines as Kris, an enthusiastic young filmmaker tasked with directing a reboot of the long-running slasher franchise Camp Miasma. The story truly kicks into high gear when Kris tracks down the reclusive Billy (played to perfection by Anderson), the legendary “final girl” from the original movie, hoping to convince her to return to the screen. From there, the boundaries between reality and fiction completely dissolve as the two women are plunged into a meta-cinematic, blood-soaked world of desire, fear, and delirium, even facing off against the franchise’s own famed villain, Little Death.

But even beyond the magnetic performances and this brilliantly unhinged premise, the film itself is a total masterpiece. Director Jane Schoenbrun’s visual style is profoundly surreal; it is genuinely unlike anything I’ve ever seen on screen. It’s a thought-provoking, deeply sexual, and unabashedly artistic horror movie that takes incredibly bold swings and lands every single one of them.

The pacing is completely flawless. It stays deliciously delightful the entire time and is never boring, not for one single second. It’s the rare kind of movie that burrows into your brain and refuses to leave, wrapping you up in its strange, beautiful, and terrifying world.

I already know this is the kind of film I’ll find myself watching many times over the years. I honestly can’t wait to revisit it, because I know I’ll discover a new layer or hidden nuance each time I hit play. If you haven’t seen it yet, do yourself a favor and watch it immediately.

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