Any time I get to talk to the wonderful Michael Des Barres, it’s always a treat. He’s an incredibly talented artist brimming with charisma and bursting with positivity. While some may know him as Murdoc from MacGyver, I know him best for his impressive body of work as a musical artist. Speaking of which, Michael has a new album out called The Key to the Universe. It’s an excellent follow-up to his last studio album, the equally fabulous Carnaby Street. If you enjoy balls-to-the-wall classic rock, then I highly recommend both of these albums.
Michael took the time to sit down with me and discuss TheKey to the Universe. We covered everything from his recording the album in Rome to writing one of the tracks with guitar virtuoso Steve Stevens. It was a fun interview and I hope you enjoy it.
Raspy rocker Michael Des Barres just released Hot ‘n Sticky Live, an album showcasing a blistering performance he gave at the Viper Room in Hollywood, CA. In addition to tracks from Des Barres’ excellent studio recording, Carnaby Street, this live album includes interpretations of classic rock and pop songs, as well as material from the singer’s previous musical endeavors. It’s an all-killer-no-filler affair that’s short, sweet and packs a punch. The band is tight and Des Barres’ soulful vocals bring the infectious melodies to life in a way that’ll have you singing the songs long after they’ve stopped playing. In a day and age where popular music is overproduced and underdeveloped, Hot ‘n Sticky Live is a raw and gritty reminder that rock ‘n’ roll is alive and well.
Below is part two of my interview with Michael Des Barres. You can read part one here. Stay tuned for part three, and check out the live clips at the end of this post from Michael Des Barres’ concert in New York City on March 7, 2013 at the Bowery Electric.
So, the song “Obsession” came out of your experiences with drugs?
It came out of drug use, yeah. But I turned and mutated that, in a literary sense, into a romance about a man who was determined to get this woman. But it could be donuts, or Prada, or guitars, or whatever you collect, man. It could be whatever you want. It will collect and capture you. It’s about ownership, taking something hostage – obsession.
How was it working with Holly Knight on the song?
Oh, she’s brilliant! Just an extraordinary writer. She’s a classically trained pianist. I must have written that lyric in 10 minutes. I’ve found all the best stuff comes that way. It just flows, there it is and you don’t touch it. When you start tinkering with it – at least for me – that’s when it loses its potency. It was a great experience working with Holly.
I think the new recording of “Obsession” is the definitive version. Do you prefer it to the others?
I love the new one. I think that it’s very relaxed, and I love singing in that Bowie-esque baritone. And I love the girl singer, she’s fantastic – Teal; she’s a great singer from Austin. We just got lucky with it. I played it on acoustic guitar, we sang it and turned it over to a new mixer, Kyle Moorman, who turned it into what you hear, which I think is terrific. It’s a movie almost. It’s got a great story with a good chorus.
You recently hinted that a live album is in the works. Do you have a sense of when it will be released?
It’s done and ready to go, I just have to pull the trigger whenever I want. But first I wanted “Obsession” to come out so people could see what I wanted it to be in the first place. I’m following no rules here. I’m off to do this radio show now, and I’m going to put out the live album within the next several months. It’s all ready to go. It’s called Hot ‘n Sticky.
When I saw you live, you did a few cover songs. In addition to music from Carnaby Street, what covers are going to be featured on the live album?
It’s a rocking record. It starts with a medley of “Little Latin Lover,” “My Baby Saved My Ass,” “I Don’t Need No Doctor,” “Get It On,” and “Long Tall Sally.” It was so rockin’ and so satisfying. You’re gonna’ love it!
Did you have to spend a lot of time in the studio on the live album, making sure everything sounded just right?
No, I didn’t change a fucking thing on it. I just went in and heard it. I did take out some of my conversation with the audience in between the songs because that had a lot to do with what was happening in the room at the moment. But other than that, I didn’t touch it.
Many bands – KISS, for example – go into the studio and heavily tinker with live recordings, and sometimes fans are upset by this. Is this something you were trying to avoid?
Most of the time bands will do some audio tuning or one of the musicians missed a chord. But to me, that’s rock and roll! When you do fuck up and the microphone falls over, I like it. When I was a kid and I would listen to a recording and a tambourine would hit the floor it made me feel like I was there. It puts you in that room, it puts you in that club, it makes you part of it. If everything is so perfect, there’s no soul to it. I think that the greatest things that have ever happened to me have been by mistake. I turned a corner, bumped into somebody and my life changed. It’s the same thing with rock and roll.
When you’re writing music, do you first think of a lyric or does a melody come to you while strumming the guitar?
The way it happens is I get a title and I see how it goes and where it fits. I love up-tempo rock and roll and I love ballads. I don’t know what’s going to happen, really. But I write so much every day that lines pop in and pop out. I’ll sit around and watch the news or hang out with my friends and somebody will say something and I’ll grab it, I’ll just grab it out of the air. I’ll say it and write it down. And the next morning I get up at dawn, drink a gallon of coffee, I go to the gym, I come back, I pick up my Les Paul, I plug in, and I write.
Musically, you’ve done quite a bit. But as of right now, what would you say is your proudest accomplishment?
My proudest accomplishment has nothing to do with having any band members in the room or music. The highlight of my life is talking to you right now … because this is all I’ve got right now. Today is what’s important to me. There’s an immediacy to what I do. People sense it. It’s intense and it’s urgent, and it’s what keeps you alive. Enthusiasm is what’s important. I just don’t want to go backwards. I don’t even want to go forwards. I just want to go! (laughs)
Is it true that it only took you 10 days to record the Carnaby Street album?
Yeah, I recorded it in one week, and I mixed it in three days. Everything you’re hearing on that album was done in no more than two takes. And I fixed nothing, vocally. We went in and did some backups here and there and maybe added a tambourine. There were no solos that were put on there, not one. Mixed it. Put it out. And people went crazy for it. I played it in the clubs – Atlanta, Austin, you name it, LA. Came back, we were red hot, we went in and cut it. Everybody’s laughing and we’re looking at each other. We were all in one room, with the earphones on – just smiling and enjoying each other’s work, if you can call it work. We enjoyed each other’s taste and execution. Took a smoke in between songs and set up the next tune.
Do you have a favorite song from that album or does it change for you all the time?
I don’t have a favorite. Lyrically, I think “Carnaby Street” because it’s an autobiographical narrative. But “Please Stay,” I think, is the most accomplished song. I just got lucky one day and wrote that thing. And it says everything I mean to say about heartache. You can’t have a blues-based information pool from which to choose and not write these soulful ballads. That would be like no wearing trousers on your first date. (laughs) There’s nothing on that album that I don’t like playing. I love “Route 69,” all of it.
Were any tracks left off the album?
No, I just went in with the set that we worked on and shuffled around live and recorded the songs that we knew. There’s many more that I wrote and rehearsed. I just wanted a collection of songs that worked as a whole. But I always have 10 or 20 songs completed and ready to go – the others were just not right for what I wanted for that album. And I could only find that out in rehearsal, singing them live. And those were the ones I liked singing the best – the ones that wound up on Carnaby Street.
Do you have any new songs coming out soon?
Yeah, I’m always creating new music. For my radio show for the David Lynch Foundation, I provided them with “Life Is Always Right.” It’s a beautiful acoustic ballad that came out of the slew of songs I wrote during my time in Texas, including “My Baby Saved My Ass” and “From Cloud 9 To Heartache.” While many of these songs weren’t included on Carnaby Street, they will see the light of day.
The always-wonderful Michael Des Barres has a brand-new weekly radio show, and the first half-hour episode debuted tonight. It’s called Roots andBranches and it airs on Tuesdays and Fridays at 4:30 p.m. PST (7:30 p.m. EST) on the online radio station Transcend Radio. You can listen from your computer or smartphone on the Transcend Radio website or on Live365.
The goal of the aptly named Roots and Branches is “finding peace in a violent world through exploration of the lineage and history of rock and roll.” This rock and roll safari, lead by Michael, explores how musicians are connected to and influence one other. And each episode has its own theme.
The first show’s theme was “Peace in Action.” After a rousing acoustic rendition of “Hot ‘n Sticky,” Michael played songs by Bob Dylan and John Lennon and explained how they were connected and how their ultimate message was peace. “I believe in peace, but I don’t believe in peace on your couch, eating Cheetos. Peace is not a passive stance, it is action. It’s like a pebble in a lake, and the ripples will grow,” said Michael.
He went on to play songs by Chuck Berry, The Rolling Stones and a live Patti Smith bootleg. In between songs, Michael provided interesting commentary and information about the songs and artists. And he closed out the show with his terrific new single, “Life Is Always Right.” This song is available on iTunes, and I highly recommend you buy it. I’ve been listening to it all day. It’s sounds gorgeous, the lyrics are beautiful and Michael’s vocal is mesmerizing.
I look forward to future episodes of Roots and Branches. It’s a terrific concept, carried out by one of the most captivating musical personalities on the planet. Make sure to tune in – you won’t be disappointed.
On a related note, I had the pleasure of recently interviewing Michael. It was an extensive discussion that resulted in a ton of great content. Keep an open eye out for part one of that interview next week.
I woke up this morning to find out that Michael Des Barres, one of my favorite musicians, just released a new single: “The Key of Love.” While Michael’s previous work included a solid rock album and a fun Christmas song, “The Key of Love” is a beautiful, mid-tempo ballad with heartfelt lyrics. What impresses me most about this song are the vocals; Michael masterfully hits high notes in “The Key of Love,” and he sounds better than ever. The arrangement is also worth noting as the guitar, horn section and backup vocals create a melody you won’t soon forget. It’s a worthy addition to any music lover’s library.
Michael Des Barres, the raspy rocker known for the amazing Carnaby Street, just released a fun, infectious Christmas song: “Rock N’ Roll Santa.” Unlike the countless covers of traditional Christmas songs that will, no doubt, put you to sleep, this is an original tune about Santa losing weight. Yes, you read that right; Santa’s sporting a svelte figure in this song. If you’re looking for a short, sweet, catchy rock song to kick off the holiday season, I suggest you check out “Rock N’ Roll Santa.” And since this is the season of giving, a portion of the proceeds from this song go to support Little Kids Rock, a wonderful foundation dedicated to restoring and revitalizing music education programs in U.S. public schools.
If you’re not sold on downloading the song, check it out for yourself below.
Over the past year, I’ve fallen in love with Spotify, which has allowed me to enjoy artists I know and love as well as discover new ones. While I’m a fan of all kinds of music, melodic rock is my favorite.
Below are three albums I’ve been listening to over and over again:
JOHN WAITE – ROUGH & TUMBLE
John Waite’s newest album, Rough & Tumble is simply awesome. His signature voice is as strong as ever, and his lyrics are quite impressive. I’ve always been a fan of his music, everything from The Babys to Bad English, and, of course, his amazing solo albums. My favorite track from this album is “Evil.” It has a killer guitar riff and a funky groove that will get you moving around the room in no time. But don’t take my word for it, check out the video below.
JOE COCKER – HARD KNOCKS
Joe Cocker has a legendary voice and a unique stage presence. His latest album, Hard Knocks, is filled with a wide variety of music, and it’s all good. One of my favorite tracks is “Thankful” because it’s a soulful number that builds to an outstanding climax featuring a choir and Cocker’s signature scream. As you’ll see from the video below, it’s a spine-chilling song about the importance of being grateful.
MICHAEL DES BARRES BAND – CARNABY STREET
For those of you that read my recent post about Murdoc, you know how I admire the talented Michael Des Barres. Well, his new band just released its first album, Carnaby Street, and it’s excellent. Listening to it conjures up visions of Rod Stewart and The Rolling Stones. If you like no-nonsense rock n’ roll, then this album is for you. While there are many great tracks, one of my favorites is “Please Stay.” It’s a slow, soulful number that’s full of emotion. Below is a live version of the song.