Michael Cavacini

An award-winning arts and culture blog.

Archive for the tag “John Oates”

John Oates Announces New Album: Arkansas

John Oates, whom I’ve had the pleasure of interviewing and meeting multiple times, announced that he’s releasing a new solo album on February 2: Arkansas. I’ve already listened to it, and I can confirm that the album features the soulful voice and masterful musicianship that have been hallmarks of this legendary artist’s career. Below are all of the details regarding Arkansas.

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Five Cover Stories In One Year

It took me three years to get an interview with Barry Manilow but this year it happened. Better yet, it wound up being a cover story – my first – for The Aquarian Weekly. As 2017 rolled on, four more of my interviews ran in The Aquarian Weekly as cover stories. Having five cover stories in one year is fantastic and I consider myself immensely fortunate for being given these opportunities. With the year winding down, let’s revisit all five of them.

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Spring Reading List: Three Books Worth Checking Out

My to-read list is never ending. However, there are three books that are near the top of the list and I think you should check them out.

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Mano A Mano With John Oates

John Oates was one of the first musicians I interviewed when I started this site several years ago. I had the chance to catch up with him last week about his autobiography, Change of Seasons: A Memoir, which comes out March 28. We covered a lot of ground in this interview, and I hope it whets your appetite for what promises to be an insightful and compelling autobiography.

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John Oates Announces Memoir: Change of Seasons

Change of Seasons

John Oates, a member of the Rock and Roll Hall of Fame and one-half of the most successful pop duo in the world, Hall & Oates, will give readers an inside look into his life and career with his newly announced memoir: Change of Seasons. The book, set for release on April 4, 2017 will also include a bonus set of original and traditional songs that reflect the stories in the memoir, including an exclusive live version of “Maneater.”

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A Conversation With John Waite – Part 2

John Waite 2Below is part two of my interview with rock legend John Waite, whose new album Best is now available to buy on iTunes and his official website. And make sure to read part one  and part three of my interview with John.

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A Conversation With John Oates

John Oates

I recently had the opportunity to interview the incredibly talented John Oates, one half of the 2014 Rock & Roll Hall of Fame inductees Hall & Oates. In addition to having a stellar career with Daryl Hall, John has created a strong catalog of music as a solo artist. On March 18th, he’s releasing three five-track EPs – Route 1, Route 2 and Route 3 – as part of his latest music project entitled Good Road to Follow. You can learn more about this on the official John Oates website.

Below is my interview with John and two behind-the-scenes videos about Good Road to Follow. Enjoy!

Congratulations on being a 2014 Rock & Roll Hall of Fame inductee. You and Daryl were first eligible for induction in 1997, yet you weren’t nominated until now. Hall & Oates came in as one of the top five acts that people wanted inducted in the official Rock & Roll Hall of Fame fan poll. How does it feel to receive this honor from both the public and your peers?

To me it’s like a lifetime achievement award. I’m happy that the fans and public were finally allowed to vote and I’m sure that had a lot to do with us getting admitted.

The 2014 Rock & Roll Hall of Fame inductee list is a diverse one. In addition to yourselves, there’s KISS, Nirvana and Peter Gabriel, just to name a few. Are you fans of these artists and are you looking forward to performing with them on stage at the end of the ceremony on April 10?

I am honored to be part of this particular “class.” All of these artists have unique and qualified talent and all are deserving to be in the Hall of Fame. As to performing, I have no idea of what  or who will be involved.

Speaking of performances, I attended your concert at the Tower Theater in October 2013. As always, it was excellent, and you performed one of my favorite songs, “Las Vegas Turnaround” from the Abandoned Luncheonette album. You mentioned writing the song while sitting on the step of your apartment on Quince Street in Philadelphia, which is right around the corner from where I live. What was the inspiration for this song and how did it come together?

Two young ladies were walking by and they stopped to talk. One of them told me they were flight attendants – “airline stewardesses” – and were about to do a “Las Vegas Turnaround.” When I asked what that was they told me it was a quick trip from Philly to Vegas, then right back again. I had never heard that expression and it seemed like a great title. I wrote the song around the idea of flying. “Gambling fools to the holy land Las Vegas.”

I’ve always had a soft spot for many of the Hall & Oates tracks where you sang lead, especially “Mano a Mano,” “Possession Obsession” and “Keep on Pushin’ Love.” When working on an album together, how do you and Daryl decide who should handle the lead vocal?

Some songs just work better for Daryl’s voice and his sound has become the trademark of our biggest hits, so when I wrote certain songs like “Maneater” or “Out of Touch” it seemed like the best thing to do was have him sing it.

What is the songwriting process like for you? Do you sit down and say, “I’m going to write a song,” or does inspiration strike and you start taking notes?

The rules are: “No rules.” Anything from the most mundane to the most profound can be the fuel for inspiration. The difference between songwriters and others is that songwriters are always somehow tuned into the world, situations, emotions, and experiences that other people may not be aware of. Then it’s down to the ability to articulate those things both musically and lyrically into a song that people can relate to and that touches their souls or makes them want to shake their booty, or maybe both.

John OatesWhether it’s your work with Daryl Hall or your solo albums, you clearly have a diverse taste in music. Which albums or artists have influenced you the most over the years?

I was lucky to be a kid at the birth of rock and roll, but I was also aware of the music that came before me, the big bands, jazz, etc. My first guitar and lyric hero was Chuck Berry. Elvis was well…Elvis. The traditional american folk and blues artists were very important to me as well: Mississippi John Hurt, Doc Watson, Blind Blake, Sonny Terry and Brownie McGhee, Jim and Jesse, as well as the newer folk interpreters like Dave Van Ronk and Joan Baez. My tastes extended to the historical performer like John Jacob Nile. Then 60s R&B was very important: Curtis Mayfield and The Impressions, The Stax/Volt recordings with Booker T and the MGs, Motown, and of course, East Coast doo-wop and Philly soul. 

Your first solo album, Phunk Shui, is a terrific collection of pop, rock and soul music. One of the songs on the album, “Love in a Dangerous Time,” was re-recorded for the Hall & Oates album Do It for Love. What’s the story behind this song and do you prefer one version over the other?

I wrote that song with Arthur Baker and Tom Farragur. It was about a changing world as I saw it…AIDS, violence and turmoil. I prefer my solo version because the music is more ominous and less pop. 

You followed up Phunk Shui with 1,000 Miles of Life, a rock album with country undertones, and Mississippi Mile, a stripped-down bluesy affair. What inspires you to shift direction from album to album?

I don’t see it as a shift. I see it as an evolution and the maturation of me as a solo artist. 1,000 Miles of Life was my first album that I recorded in Nashville and I wanted to take advantage of all the amazing musicians. Also, the songs were very introspective and I knew that their playing style and sensitivity to lyrics would bring out the best in these particular types of songs. Mississippi Mile was more of an “homage” to the music that I loved as a kid and re-working some of my old favorites into my personal style. That album was basically recorded live in the studio, also in Nashville.

John OatesYour most recent musical endeavor is called Good Road to Follow. As part of this project, you released five musically diverse singles in 2013, and in 2014 you have a trilogy of EPs coming out. What should fans expect from the EPs?

It will be released on March 18th as a package with three discs. Each disc has five songs assembled based on style as best I could. Since the project began as a series of singles there was no thought about flow and style. I just wrote the best songs I could with a wide variety of collaborators, both as writers and producers. The discs are entitled: Route 1, Route 2 and Route 3. 

What made you want to take this unique approach to releasing music?

I have been moving beyond the concept of an album in the traditional sense. The world has accelerated and listeners’ desire to create personal playlists seems to be setting the standard. However, after hearing a bunch of my digital singles there was a lot of demand for an album, so I had to figure out a way to assemble all this diverse music. I did the best I could and all three EPs are the result. 

So far, my favorite song from Good Road to Follow is “High Maintenance.” It’s easily the best pop song I’ve heard in quite some time. With this single, as well as the others, you’ve collaborated with a variety of artists. What has it been like working with such a diverse group of musicians on this ambitious project?

I am proud of all the songs on Good Road to Follow. It’s just different flavors. Everyone who worked on this project did it for the love of the music and I was blessed to be able to share this musical experience with all of them. In a way, I had to be kind of an artistic “traffic cop” since I was the only one who knew what the entire body of work sounded like. So, I had to be careful to keep the sonic landscape somewhat coherent but at the same time allow the people I was working with freedom to bring their own creativity to the project. It has been an amazing experience and I can’t wait for people to hear it. 

2013: It Was A Very Good Year

New Year - Philadelphia2013 was my first full year of blogging, and it was a great one. I wrote 174 posts and exceeded 20,000 views, reaching people in 118 countries. I also had the honor and privilege of interviewing some of my favorite authors, actors and musicians, including:

  1. Lisa Scottoline
  2. Andrew Gross
  3. Melissa Manchester
  4. Michael Des Barres
  5. Douglas Preston
  6. Jon Land
  7. M.J. Rose
  8. Steven James
  9. Taylor Stevens
  10. Donald Bain
  11. Thomas B. Sawyer 
  12. Dick Hill

And 2014 is shaping up to be an even bigger year with interviews already scheduled with 2014 Rock & Roll Hall of Fame Inductee John Oates and bestselling author Stuart Woods.

Thanks to all of you who regularly read my posts, as well as those who take the time to comment. Speaking of which, below are my top commenters’ great blogs. Make sure to check them out:

2013 was my best year yet, both personally and professionally, and I plan on making 2014 even more special.

Happy New Year!

Hall & Oates – 10 Years Later

Hall & OatesTen years ago, on March 8, 2003, I saw Hall & Oates live for the first time. Just a few months removed from the release of the legendary duo’s spectacular comeback album, Do It For Love, the concert was at the Tower Theater in Philadelphia. It was an amazing show, and I’ve seen Hall & Oates three more times since then. Tonight, I’m bringing my friend to see Hall & Oates live for the first time. And, of course, it’s at the Tower Theater. I’m sure it’ll be a wonderful show and she’ll be blown away by the musicianship and soul of two men who should have been inducted into the Rock and Roll Hall of Fame a long time ago.

For your enjoyment, here’s the song that made me fall in love with Hall & Oates’ music ten years ago:

John Oates – Beauty

John OatesOne of the most gorgeous songs I’ve ever heard is “Beauty” on John Oates’ first solo album, Phunk Shui, which is fantastic from start to finish. Below are the lyrics as well as  the song itself. Enjoy!

Beauty

They say that beauty’s in the eye of the beholder.

Some say beauty is a spirit deep inside.

The colors of the rainbow look the same to young and older.

The way you look at beauty is the way you look at life.

Your state of mind and definitions may change, but the essence of the question goes on.

You can wonder till the end of time, ponder and pray, but I say beauty is the that way you look tonight.

 

To stay in touch with beauty, keep an angel on your shoulder.

Reach for beauty in the stars up in the sky.

Moonlight on the mountains or a sunset on the ocean, the way you look at beauty is the way you look at life.

No black and white, your perceptions may change, so the essence of the question goes on.

You can wonder till the end of time, ponder and pray, but I say beauty is the way that you look tonight.

 

Beauty is the spirit deep inside you that I see in your face.

 

Your state of mind and definitions may change, but the essence of the question goes on.

You can wonder till the end of time, ponder and pray, but I say beauty is the that way you look tonight.

 

People say that beauty is a spirit deep inside.

The way you look at beauty is the way you look at life.

The eye of the beholder is a window to the soul.

Beauty’s just like passion, it’s the same for young and old.

 

 

 

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