Let’s travel back to the turn of the millennium. It’s the year 2000. Nu-metal is on the radio, everyone is terrified of the Y2K bug, and Sylvester Stallone is sporting a meticulously sculpted goatee, pointy sideburns, and a wardrobe full of $5,000 sharkskin suits.

Enter Get Carter.

If you ask a hardcore cinephile about this movie, they will likely shudder. The film is a remake of the 1971 British crime masterpiece starring Michael Caine—widely considered one of the greatest, grittiest revenge thrillers ever made. When Hollywood decided to drop Stallone into the lead role, shift the setting from a bleak, industrial Northeast England to a rain-soaked, techno-booming Seattle, and flash-fry the whole thing in MTV-style editing, the critics had an absolute field day. It bombed at the box office, scored a dismal 11% on Rotten Tomatoes, and effectively sent Sly’s career into a brief straight-to-video tailspin.

But here’s my hot take: Get Carter (2000) doesn’t deserve all the pure vitriol it gets. If you isolate it from the shadow of the original, it is a fascinating, deeply weird artifact of its era that actually has some genuinely good stuff under the hood.